(New website coming soon)
CURRENT EXHIBITION
MOTHER
MARINA BERIO, ERI IWASAKI, MINÉ OKUBO, YUKIKO HATA, ASAKO TABATA
February 12 – March 14, 2026
Opening Reception: Thursday, February 12, 6–8 PM
Installation images by Thomas Barratt
UPCOMING EXHIBITION
SPRING GROUP SHOW
KEIKO ARAI, HIROYOSHI ASAKA, KIYOSHI HAMADA, YASUKO HASUMURA, MOEKO MAEDA, NORIHIKO SAITO, KENTA TAKAHASHI, SHIGEMI YASUHARA
March 19 - May 9, 2026
Opening Reception: Thursday, March 19, 6-8pm
As part of Asia Week, March 19 - 27, 2026
UPCOMING ART FAIR
DALLAS ART FAIR
HIROYOSHI ASAKA, ERI IWASAKI, TOSHIYUKI KAJIOKA
April 16 - April 19, 2026
Thursday, April 16: VIP Preview + Preview Benefit
Friday-Sunday, April 17-19: Public Days
1807 Ross Avenue
Dallas, Texas 75201
Toshiyuki Kajioka
Rhythm, 2025
Sumi Ink, pencil, suihi, mica on Washi paper (Kochi Mashi)
mounted on wood panel
35.8 x 35.8 x 1.5 in (91 x 91 x 3.8 cm)
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UPCOMING ART FAIR
FUTURE FAIR
MARINA BERIO, MINÉ OKUBO, ASAKO TABATA
May 13 - May 16, 2026
Wednesday, May 13: VIP Preview
Thursday - Saturday, May 14-16, 2026: Public days
Chelsea Industrial
535 W 28th St
New York City
Miné Okubo
Untitled, 1940's
Charcoal and pastel on paper
18,7 x 23,9 in (47,5 x 60,8 cm)
NEWS
JAPAN'S MOST UNDERRATED FEMALE PHOTOGRAPHER AYA FUJIOKA
By Developing Tank
"Aya Fujioka is one of the most underrated contemporary Japanese photographers working today, known for her deeply personal photo books, meticulous sequencing, and long term dedication to documenting everyday life across Hiroshima, Kure, Taiwan, Europe, and New York. From her award winning Hiroshima project *Here Goes River*, which received the prestigious Kimura Ihei Photography Award, to the intimate family reflections of *I Don’t Sleep*, the immigrant narrative of *Life Studies*, and the formative “girl photography” era work collected in *My Life As A Dog*, Fujioka builds narrative arcs through the Japanese Shashinshu tradition, where meaning unfolds through sequence rather than single images. Published with AKAAKA and shaped by years of lived experience, her work bridges personal memory, postwar history, identity, gender, and place, proving that powerful photographic art requires patience, presentation, and total commitment to the photo book as its final form."
